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boetticher) and it's very romantic. if movies could be a religion, you'd get more out of westerns than any other genre. (narrator) the western has come to symbolize american cinema, its images instantly recognizable the world over. many of our foremost directors, writers and actors have been drawn to its elemental moral themes and epic scale; its frontier characters -- fools, charlatans, outlaws and heroes -- confronting the grand themes of life and death on stage, the stark background of america's west. it's a western because of the story form, because of the traditional and conventional aspects of it. isolation. one man up against it, resolving it by violence... (john sturges) nobody can help him. they're good versus evil truth, or morality tales. (gunfire) (elmore leonard) i thought westerns would be easier to write. you're writing about a time the reader hasn't experienced. places that the reader hasn't been. you make up a town, a one-street town, with the board-front buildings down both sides. perhaps a board sidewalk; and that was easy to describe. there's something about the attire.
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